#Ariana grande the weeknd serial
“ Bad to You ” with Normani and Nicki MinajĮvery song on the 2019 Charlie’s Angels soundtrack is synthetic in its own way, with both of these trying to re-create successful pairings with thank u, next co-writer–“Monopoly” singer Victoria Monét and serial collaborator Nicki Minaj. 1 cut, where Grande has to fight against the chaos of an obnoxious dancehall drop.Ĥ5. That’s not the case on this The Hunger Games: Mockingjay - Pt. Grande has had some of her best collaborations with producers, and that usually happens when their light touches can accent her big voice. 3 a month after its release, but a true team-up from two of pop’s biggest voices still feels necessary. The remix did work, with “Good As Hell” peaking at Let’s call this remix what it is: an attempt by Lizzo to ride the success of “Truth Hurts” to the top of the charts once more, years after she first released “Good As Hell.” And it sounds like it, with Ariana Grande adding half a verse and some runs, but mainly just a name, on top of Lizzo’s three-year-old recording. “Beauty and the Beast” isn’t supposed to have drums and Disney doesn’t need to keep commissioning pop covers for its movies. Grande sounds almost anonymous on “Research,” Sean’s Dark Sky Paradise cheating track that he opens with the lines “The way you stressin’ got me blowin’ indo outdoor / Every time you intro, that’s my cue to outro.” His verse on My Everything’s “Best Mistake” isn’t much better - try following the lines “Ain’t no number twos / We both ones of ones, and we the oddest couple / Only humans, ‘cept you, you a goddess” - but that song at least shows promise when Ari sings.Ĥ9. The two collabs from Grande and Big Sean’s relationship get dragged down by Big Sean’s dispassionate showings. “Hands on Me” has all the makings of an all-time Ari performance … once you get past A$AP Ferg repeating, “It’s your birthday, every day with me / And I make her hand rocky, A-S-A-P.” “Put your hands on me” isn’t an invitation to smudge a near-polished bop. and Charli XCX, Azalea got her biggest pop co-sign yet from Ari, which kept her relevant for longer than we should’ve had to endure.Īnother “why?” moment. But Iggy Azalea is deadweight on the song, with her blaccent and school-assignment-level rhymes.
Like most of the low-ranking songs here, this isn’t a bad Ariana Grande performance. ( She didn’t want to be there anyway.) Grande gives the best performance only because she takes chorus duty and sets the pace because, after all, she made the soundtrack. “Don’t Call Me Angel (Charlie’s Angels)” with Miley Cyrus and Lana Del ReyĮach singer’s part on this pop hodgepodge for the 2019 Charlie’s Angels remake sounds like a separate song, especially the Zeitgeist-riding Lana Del Rey bridge. Here, all 54 of Ariana Grande’s collaborations, ranked.ĥ4. Grande’s surprise new album, positions, finds her returning to collabs in her own work after leaving them off thank u, next. Even some of her earliest songs, recorded during her time on Nickelodeon’s Victorious, find her duetting with the show’s other stars.Įarlier this year, Grande checked off two more high-profile collaborations back-to-back- longtime friend Justin Bieber on “Stuck With U” and fellow Italian Lady Gaga on “Rain on Me” - inspiring us to revisit her near decade of collaborations (minus her theaterwork and remixes of her own songs).
#Ariana grande the weeknd mac
Her own albums include featured performers as varied as Lil Wayne, the Weeknd, and Zedd (all on 2014’s My Everything) she’s recorded multiple tracks with exes Mac Miller and Big Sean she’s a mainstay on Nicki Minaj albums. But even before she ascended to the top, Grande has always been a generous, prolific, and in-demand collaborator.
The world has witnessed Ariana Grande bloom into one of its biggest pop stars in the past two years, after she released her fourth album, sweetener, and its follow-up, thank u, next, in six months’ time.